SATELLITE TRIBECA SHOW
An arts spectacle. Live music, dance, film, spoken word and visual artists Kevin Draper and Lora Robertson. Two weeks in Tribeca, May 9 – 21/2024. Satellite Collective presents Satellite Tribeca, 101 Reade St., Tribeca, New York
Satellite brings the athletic performance of their performing arts into a gallery space and brings along two giant mascot blimps.
SITE SPECIFIC DANCE
BODYSONNET’S “please come alone” created and performed live by Moscelyne ParkeHarrison and Mio Ishikawa
A series of solo dance performances exploring what it means to be alone and to come together.
SPOKEN WORD w/PIANO AND ACCORDION BY STELTH ULVANG OF THE LUMINEERS
Kevin Draper and Lora Robertson and New York premiere of Sad Blimp Twins
Draper shows giant prints on paper and canvas created with aerospace software.
Robertson shows pre-Raphealite inspirations in equisitely lit digital tableux and full body portraits.
SPOKEN WORD w/PIANO AND ACCORDION BY STELTH ULVANG OF THE LUMINEERS
NYC Debut UPSTREAM w/creator-performers Will Healy and George Meyer
Stelth Ulvang premieres “The Heartbeats of Stars, In Which Aliens Love Louis Armstrong,” inspired by Carl Sagan and Ann Druyan’s data capture of love that left our galaxy on Voyager’s gold record. This performance is a meditation on the many orbits in two lives, and the many points of intersection between them that may seem chaotic but translate in ways that can be shared across sound, music, and story, as a fabric of meaning with a common language of wavelengths.
And 2023 Leonard Bernstein Award Winner Will Healy debuts Violin-Piano duo Upstream with George Meyer, performing a live program of co-compositions for piano, cello, viola, violin, drawing from bluegrass, hip-hop, and jazz.
BALLET SCORE FOR STRINGS PREMIERE & NEW INDIE CLASSICAL
New York Premiere of “Liar Lear King” ballet score for strings by Ellis Ludwig-Leone. Performed live, with a perfomance of his “Past Life” for violin, cello, and piano.
And three compositions by Will Healy, 2023 Leonard Bernstein Award Winner and Founder, SHOUTHOUSE. “Root Position”, “Chimes”, “Mariners” performed live with violin, viola, cello, and piano.
FILMMAKER’S SYMPOSIUM
Filmmaker’s Symposium: “Adventures in Film Funding” and a Sneak Preview of “Liar Lear King” Animated Short
The toughest, wildest, and least talked-about challenge of independent filmmaking is finding the money.
ART PANEL w/FILM AND LIVE BALLET
An arts discussion, “The New York of Gordon Matta-Clark: Alive in the City Today” How can engaging in a dialogue with an artist of the past inspire new work that addresses our present moment? Hosted by Jessamyn Fiore, Co-Director, Estate of Gordon Matta-Clark, and Paul Amenta, Founder, SITE:LAB. With Feature Performance: “Central Park, Earlier In Time,” choreography by Norbert De La Cruz III, score by Aaron Severini, visuals by Kevin Draper in collaboration with the Estate of Gordon Matta-Clark. Registration required.
SATELLITE TRIBECA
Kevin Draper’s “The Cartoon Before The Movie” features giant prints on paper and canvas created with aerospace 3D software and innovative hand printing techniques. Beginning with nostalgic imagery of an older New York, its vision looks out toward space, along the avenues of Central Park and the sidewalks of Park Avenue, and sees a future of artificial intelligence and buildings seeking autonomy. Images feature bold industrial colors and a unique, expressionistic use of the architectural drafting language.
“please come alone” is a series of solo dance performances exploring what it means to be alone and to come together. Performers explore their artistic and narrative values as they devise movement solos. From creator-performers Moscelyne ParkeHarrison and Mio Ishikawa of BODYSONNET, the work was originally performed in The Berkshires, MA, and workshopped at Yale University with Dramaturg Hannah Gellman.
Lora Robertson’s show “Agony In The Scrub Pines” features large, complex photographic compositions reproduced on smooth sheet metal. Robertson works with digital cameras produced as part of the Hubble telescope program, and the intense focus on color and light is almost pre-Raphaelite in complexity. With her digital tools Robertson translates the naturalistic settings and historical lighting techniques into photographs that are easily mistaken for paintings until a closer view shows how these have been brought into the present with a wily eye for metaphor and visual easter eggs.
“Sad Blimp Twins” is a pair of forty foot long blimps coming to New York for the first time as Satellite’s official mascots. Sad Blimp Twins are a pair of aerostats designed to be Satellite Collective’s mascots. They first flew on the lawn of the Gerald R. Ford Presidential Museum and will premiere in New York inside the gallery at 101 Reade Street. At full inflation, the blimps are fourteen feet in diameter and nearly forty feet long. Designed by Kevin Draper, they act as reminders of distant technologies of observation. Satellite intends to continue development of Sad Blimp Twins and their use as mobile cinema screens.
LIAR LEAR KING
Mercy is gone missing but the cameras never stop rolling. Dramas cannot therefore stop unfolding. LIAR LEAR KING is a multi-stage, multi-form work directly facing the impact of narcissism and bullying on our society. It fuses dance, short film, visual art, live music, opera, and spoken word into a dynamic experience centered by dance and driven by story. LIAR LEAR KING is an adaptation of King Lear set in New York, 1972. The story is focused not on King Lear and his tragedy, but on Cordelia his daughter, and her epic journey as she becomes a force who can mount an invasion of her own country, only to die at the hands of her own sisters. In the social and political environment of the United States, this theme resonates. LIAR LEAR KING is an organizational work, producing a sum of intellectual property that functions outdoors, onstage, online, and via music and spoken word, with shared creator’s rights and control. This is a model which performing artists are perfecting in the post-COVID world. This multidisciplinary work is expressly designed to be experienced in alternate channels by those differently abled in sight or hearing, or ability to physically access the performance. The nature of the work, and how it impacts the audience, is dependent on the abilities through which it is experienced.
- DIRECTOR Kevin Draper
- CO-DIRECTOR Phillip Stoddard, James Sofranko
- WRITING TEAM Tamar Charney (Lead), Nikhil Melnechuk, Kevin Draper, Lora Robertson, Stelth Ulvang, Danielle Rowe
- CHOREOGRAPHER Danielle Rowe
- BALLET COMPOSER Ellis Ludwig-Leone
- MOVIE COMPOSER Baile and Ellis Ludwig-Leone
- FILMMAKER Lora Robertson
- STORYBOARD ARTIST Kevin Draper
- WEB ACCESS INNOVATION Daniel Talsky
- PREMIERED BY Grand Rapids Ballet
- Produced by Kevin Draper and Lora Robertson
SAD BLIMP
SAD BLIMP and SAD BLIMP ROCKET are up at ArtPrize 2022. SAD BLIMP ROCKET at AH-NAB-AWEN Park / Fri, Sept. 23 – SAD BLIMP TV will be projected on SAD BLIMP ROCKET by mobile projectors at 8pm / Sat, Sept. – SAD BLIMP ROCKET will fly from 11am-1pm SAD BLIMP at ROSA PARKS CIRCLE / Sat, Sept. 24 – SAD BLIMP will fly while the Grand Rapids Ballet premieres excerpts from the new collaborative ballet with Satellite Collective, “Liar Lear King” and 5pm and 7pm with night projection to follow Kevin Draper, with Satellite Collective, would like to propose the installation of a 40 foot long aerostat hovering thirty feet above the ground acting as a cinema screen during the night, and a silent observer during the day. We intend to premiere a series of film and visual work on this canvas. The aerostat is nicknamed SAD BLIMP. It is Satellite’s intention for this world premiere to be the first point on a long journey, as the aerostat has been engineered to be an aerospace grade installation, with the assistance of military engineers and input from Macy’s balloon makers. We intend this idea to grow, and maybe one day, be hanging out in space for tourists. Satellite Blimp will bring the silent witness of ancient observation blimps to the waterways of New York, bearing witness in ground projections and real time performances on these giant canvases.
- ARCHITECT Kevin Draper
- COMPOSER Stelth Ulvang
- FILM MAKER Lora Robertson
- PRODUCTION DESIGNER Kevin Draper
ECHO & NARCISSUS 2020
- DIRECTOR & LIBRETTIST Philip Stoddard
- WRITER Kevin Draper
- COMPOSER Aaron Severini
- CHOREOGRAPHER Norbert De La Cruz III
- FILM MAKER Lora Robertson
- PRODUCTION DESIGNER Kevin Draper
- PROJECTION DESIGNER Simon Harding
TWO
- CHOREOGRAPHY Marcus Willis
- SCORE Aaron Severini
- VISUAL DESIGN Kevin Draper
- LIGHTING Stirling Baker
- STORY Kevin Draper
GRAN JERICHO
- DIRECTOR Lora Robertson
- SCORE Stelth Ulvang
- VISUAL DESIGN Kevin Draper
- LIGHTING Stirling Baker
- STORY Kevin Draper
- ANIMATION Lora Robertson
PHONE MESSAGE
This collaboration will explore the posthuman condition of individuality and a new musical process of tone overlays that makes the string instrument sound like a human voice.
- CHOREOGRAPHER Devin Alberda
- SCORE Richie Greene
- VISUAL DESIGN Kevin Draper
- LIGHTING Stirling Baker
WORD
- PERFORMERS Yuval David and Nikhil
- WRITERS Kevin Draper, Nikhil
- VISUAL DESIGN Kevin Draper
- LIGHTING Stirling Baker
INTERVENTION
- VISUAL ARTIST Site : Lab
- LIGHTING Stirling Baker
A PAIR OF IDEAL LANDSCAPES
- SHORT FILM Lora Robertson
- SCORE Richie Green
- CHOREOGRAPHY Esme Boyce
- LIGHTING Brandon Stirling Baker
EDIE LEAVES TWICE
- STORY Kevin Draper
- STOP MOTION ANIMATION Lora Robertson
- SCORE Ellis Ludwig – Leone
WALLS
- CHOREOGRAPHY Manuel Vignoulle
- MULTIMEDIA Kevin Draper
- LIGHTING Brandon Stirling Baker
- SCORE Ellis Ludwig – Leone
INDIVIDUATE
A new ballet that explores the edge of post human gender – and playfully engages a little marxism.
- CHOREOGRAPHY Devin Alberda
- SCORE Nick Jaina
I CAN HELP YOU
WATER
- COMPOSITION David Moss
- IMAGERY Kevin Draper
EMERGENCE
TWIN STAR EVENT
RITUALS
POETRY + SOUNDSCAPE + MULTIMEDIA
SATELLITE BALLET & COLLECTIVE
WAREHOUSE UNDER THE HUDSON
EPISTASIS
PROGRESS
COSMONAUT
THIEF
- STORY Kevin Draper
- LYRICS Nick Jaina
- MULTIMEDIA Kevin Draper and Lora Robertson
- SCORE Nick Jaina